I wish I could offer a simple flat fee, but each project is different and needs a custom quote. Some 2-minute edits take a few days, while 30-second commercials can take over a month. The time needed varies a lot.

Basically, I’m charging for my time. Estimates for video editing, sound design, and color grading depend on how long the project will take. I’m open to working with any project, big or small, so please don’t hesitate to contact me.

Please fill out the contact form, and let’s discuss your project.

It's rare for one person to manage all post-production stages. Having fewer people improves communication, keeps a consistent style, speeds up the process, and cuts costs. Hiring different experts for each step raises the budget, complicates scheduling, and can cause more issues.

EDITING these steps may vary by project

1. Discuss project scope and story

2. Prepare estimate

3. Create contract based on estimate

4. Review storyboard and references if available

5. Receive media files

6. Log media, select clips and interviews

7. Find music

8. First draft review

9. Apply feedback

10. Second draft review

11. Get final feedback

12. Lock picture edit

13. Sound design, mixing, and mastering

14. Color grading

15. Create final deliverables

Of course! When you hire me, you can get help with any part of post production that fits your needs or budget. In post production, many pros specialize in one area. Marketing agencies, directors, and cinematographers usually work with colorists, editors, animators, composers, and sound engineers they trust. Just share all details ahead of time to ensure a smooth transition to the next stage.

Almost all my jobs—99%—and most of my clients are remote. When communication is clear and honest, everything works well.

Over 15 years ago, I started making skateboard videos and was a sponsored skater as a teen. I used a Sony VX1000 with a fisheye lens, which helped me improve. Later, I worked at In-Three, a company that turned 2D movies into 3D. At 18, I led 60 people while working on Peter Jackson’s "King Kong." I left that job and moved to Paris. After coming back, I had a serious motorcycle accident at 21 that put me in critical condition for years. I took a 7-year break from film to heal and decide my future. Eventually, I returned to video editing by making motorcycle films, since I still rode after the crash. Now, I’ve been self-employed for over 10 years, and the time has gone by quickly.

No, I work on projects of all sizes! Some people worry their project is too small for me. But I often get steady work from smaller jobs like social media, tutorials, and product launches. Fun fact: Directors and cinematographers often do commercials and music videos between big films to earn money.

I have a home office in Schertz, Texas, halfway between San Antonio and Austin. I worked in Denver, Colorado for the last 10 years but chose to start a new chapter in Texas. I really enjoy it!

Yes! Setting up a satellite workstation for some projects is common, and I'm happy to do it. For the Dan + Shay Arena Tour, I had an editing setup right at the main stage. It was a great experience.

Over the years, I’ve built many connections in the production industry. If you need a producer, director, cinematographer, or others, I can help you find the right person.

I taught myself everything, including calligraphy, leather crafting, and motorcycle work. Today, we have tons of info just a Google search away. I don’t believe traditional school is needed for most jobs. Trade schools, apprenticeships, and online courses worked best for me and kept me debt-free. If you want advice or want to know how I got here, feel free to ask—I’m happy to help.